London · 2024

Graham Wesley

We work mostly on buildings that already exist.

Most of the buildings we are asked to change were standing long before us, and most are better than their briefs suggest. So we start by deciding what stays: the walls, the light, the way a room already works. Then we draw only what the old fabric cannot do alone, and we stop there.

Selected work

The studio's long table with drawings laid out.

How we work

Section before plan

A plan can be drawn from a schedule of rooms. A section cannot — it needs a decision about height, about light, and about what the building already is. So the section comes first, and by the time a plan exists most of the argument is settled.

About the practice

Tell us about the building

What it is, what is wrong with it, and roughly when.

Get in touch